For the past six years, Sarah Rogers has learned all the secrets hidden away in the storage vaults of the 鶹Ƶ Museum.
When 鶹Ƶ Today asked Rogers to put together a list of her ‘Top Five Finds’ at the museum – must-see items, her favorite pieces, or cool or unusual items that might surprise visitors – she did not disappoint.
Here is Rogers’ list:
Queen Victoria’s Underwear
“There’s funny stuff, like Queen Victoria’s underwear,” Rogers said, “We have her knickers and stockings and petticoats, too.”
The items, she said, are thanks to the museum's founders, Shannon Rodgers and Jerry Silverman, who also helped to found 鶹Ƶ’s School of Fashion, which bears their name, and whose great collection of fashion – more than 4,000 pieces – was donated in 1982 to help found the museum.
The undergarments, fashioned with a drawstring waist, are stamped with the royal crest. Other items, including black stockings and a dressing gown, are embroidered with her initials or crown. A petticoat features satin, lace and embroidery. Queen Victoria reigned on the British throne from 1837 to 1901.
The ‘Adam’s Rib’ Dress
Actress Katharine Hepburn collected the many costumes she wore on stage, in films and on television. In her will, she directed that the collection go to an educational institution and the 鶹Ƶ Museum, was the lucky recipient.
One of Rogers’ favorites is a formal black dress, designed by Walter Plunkett, that Hepburn wore in the 1949 movie “Adam’s Rib.”
The Valentino Trench Coat
Relatively new to the museum is a collection of contemporary menswear, donated by James Mulholland, currently featured in the exhibition “Life in Style: The Wardrobe of James Mulholland.”
Rogers said the collection is unique because fashion museums do not have large holdings of menswear, and she is taken with one coat that features hand-painted wildlife.
“It’s just gorgeous,” she said.
An Original Coco Chanel
Coco Chanel, the legendary French designer whose very name is synonymous with high fashion and style, introduced the concept of the “little black dress” in 1926. Until that time, black was a color typically reserved for mourning.
Rogers said 鶹Ƶ’s collection includes an original 1926 Chanel dress, made of blue ombre fringe in the flapper style of the day. The dress is currently on loan to the Victoria and Albert Museum in London but is set to return to campus soon.
Christian Dior’s Venus
Part of the famed French fashion house’s 1949 collection, the Venus dress had belonged to actress Marlene Dietrich.
“It is diaphanous and very beautiful,” Rogers said. The dress, designed to be strapless, was customized for Dietrich with small straps added to the bodice, she noted.
The shell-shaped scalloping on the dress is meant to evoke the Botticelli painting, “The Birth of Venus” which depicts the goddess of love and beauty arising from a scallop shell.
New Exhibits
While the items are among the more than 30,000 pieces in the museum’s collection, most are not displayed at any given time.
A new exhibit, “Shannon Rodgers and Jerry Silverman: Dazzling Day and Night,” will debut May 30, featuring a collection of Rodgers and Silverman’s designs from their Seventh Avenue, New York City, business, Jerry Silverman, Inc.,
A new Hepburn exhibit, “The Hepburn Style: Katharine and Her Designers,” opening June 28, will focus on Hepburn’s personal style, including her signature khaki slacks, Rogers said.
A June 27 reception to celebrate the new exhibits will also mark Roger’s retirement as museum director, a position she has held since 2018. Rogers came to 鶹Ƶ from the Columbus Museum of Art, where she served as deputy director.
“I have a husband, a house and a cat in Columbus,” explained Rogers, who added that the time was right for her to pass on the reigns to the next person.